Red Sorghum by Mo Yan

Mo Yan is not quite the toast of the writing community west of China. When the Nobel Prize for Literature went his way in 2012, it was deemed a ‘catastrophe’, a ‘betrayal’ and an ‘ominous signal’ by the fraternity, including his compatriots in exile. His language has been found ‘diseased’ and ‘banal’, his authority that […]

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